“Orpheus is sung by mezzo-soprano Oda Zoe Hochscheid, and she does this with great involvement and a powerful, colorful voice. Her vocal finesse contributes to a very convincing and substantial interpretation of the role.”
“Not only does she have a magnificent voice, her recitation and vocal extension are particularly captivating and allow the expansive musical gesture of Schlegel’s lieder to take on their true shape.”
“A singer with a proven and solid preparation, on top of her sensibility of interpretation.”
Vulnerable & Powerful
How lucky I consider myself: already at a very young age, I got to learn how to play the piano, and sing. My first serious encounter with Opera, at the Belcanto Festival in Dordrecht, The Netherlands, brings about a turning point; a move to Italy follows, and two master degrees, one with specialisation Opera Buffa.
Concerts and opera roles arrive, such as Ariodante (Handel), Rosina (Rossini), Proserpina (Peri), Sorceress (Purcell), and a CD-recording. I am infinitely grateful to all Maestre and Maestri who taught me so much: Sara Mingardo, Carolyn Watkinson, Ton Koopman, Adelisa Tabiadon, Luca Gorla, Loris Peverada, Bruno de Simone, Deda Cristina Colonna, Mara Galassi, Roberto Balconi.
Children’s and youth’s voices: certainly one of the purest forms of performing music, and something I feel I am preciously connected with. I am author of a classical singing method for children and youth aged 6 years and up. My stage experience and pedagogical work enrich each other.
…Aren’t vulnerability and power both keys to music making? How beautiful!
